Monday, September 17, 2018

VCarve Pro

Upon a strong recommendation by Seth in early July, I decided to transition away from Inkscape and towards a more advanced and powerful software package called VCarve Pro. VCarve Pro is an all -purpose CNC Routing 2D and 3D job creation package that can also export as DXF, which is perfect for RDWorks. Moreover, Seth is claiming that the DXF export/import process has higher fidelity with VCarve Pro then with Inkscape.

So today I finished reading and practicing through all of the reference manual chapters on 2D job creation and general main menu and right click menu usage.

Seth is correct; the complexity of the stencil designs I can create in a relatively convenient fashion far exceeds what can be easily accomplished in Inkscape.

I am now creating a new main menu tab on this blogsite named VCarve Pro that will contain tips, workarounds and alerts to any usage issues with VCarve Pro.

Save time on color assignments: If you are planning to export your design as DXF for importing into RDWorks, use the layer drop down menu in VCarve Pro to set customized colors for each layer. Put each object (or grouping of similar objects) into a layer by itself. The DXF format will respect that, and so will RDworks when you open the DXF of your design there. Conveniently, all of your color designations and layers will automatically populate into the Work Tab. Then all you have to do is set layer properties of speed/rep rate/power/priority. You are saved the time of assigning colors.

Warning: Sometimes, without any notice, VCarve Pro will save redundant and exactly superimposed shapes upon DXF export.  This has happened to me with VCarve ellipses in particular. This will make color assignments, as mentioned above, not be respected visually on the RDWorks Canvas. Typically, all such shapes will appear as black. If you suspect this is happening, just go to the Layers Work Tab, set the Hide property to "yes" and see if any other exact shape/object is underneath with the color expected. Then just delete the redundant shape/object.

F9 will center a selected object to the material space. You can also use the Align transform tool for this. Don't F9 a group, unless the group is already centered or in the orientation you want. For Groups, F9 will center the central point of the group - not the same thing.

Weld and Intersect: You can't do it to members of a group against each other; VCarve Pro considers the group to be one object. First ungroup, apply the transform with left click selects, then regroup.




















Sunday, June 24, 2018

Pushing the Limits on Plexiglass Cutting

Once again I used Inkscape to design a symmetric stencil, this time using spirals and mirror reflecting the copy of the spiral while superimposing it. I then used a line tool to connect the very short (< 0.03 in.) disconnects as the spirals are very hard to exactly superimpose. This is a big test for the laser, as it will have to precisely cross over cuts already made to get the interior objects of the spiral to fall out. How cleanly can it leave very thin and sharp corners and will the shapes fall cleanly out?

I used painter's tape on the back of the plexiglass to reduce cleaning time for debris, cracks and char marks.

The photos show that the crescent shapes are intact even at the thin tips. All interior spiral shapes fell through cleanly except for one which pivoted upwards. The laser had to be stopped or else it could collide with the protruding plastic. The laser does have some issues picking up smoothly after a pause command to the gantry, leaving some rough edges. Next time I will not use any center support bars and this should fix the problem.

The laser power is so strong after a full cleaning of mirrors and lenses that next time I will be looking to drop the power down from 30%. The full run time for the job is less than 6 minutes.


The original Inkscape design




The painter's tape protects the edges of stencil cutouts 
and the outer circle.



All of the cutouts, in good condition.
Click to enlargen.











Monday, June 18, 2018

Change of supplies

After a discussion with Taylor, there has been a change in lens and mirror cleaning supplies. Those of you read my item number 2. in my May 19th post should note that the language has been replaced by:

"We now, under Taylor's guidance, are using a specially formulated lens cleaning liquid in a dispenser bottle that comes with it. Also, we are no longer using the one-time disposal Fluent brand wipes to clean lenses or mirrors, nor are we using any type of rubbing alcohol."

Monday, May 28, 2018

Complex Stencil Cutting

The most recent effort with the laser involved several changes to the procedure:

1. Many support blades were removed to decrease the amount of debris that needed cleaning after the cutting. Fewer support blades also mean that the underside of the plexiglass was LESS likely to chip. The trade off is that there may a bit more bounce when doing the auto-focus, though if starting at a corner this is not so big a consideration. There is also the extra time involved with removing and replacing support blades.

2. I am now using 3 standardized cuts: inner, middle and outer circles. This will allow me to interchange sections of one stencil with a different one to multiply the number of design combinations.

3. The whole deal is getting ready for Hollywood! Not really, but I did capture video and post processed to reduce background and added in photos to tell a nice story. I used Audacity to clean up the noise in the audio track and Movie Maker and YTD Downloader to produce slideshow videos and convert movies to AVI.


I did have one element that was too close to the outer circle cut that soon cracked off after handling. Next time I will be more careful to stay farther from the edge and use masking tape on the backside to hold marginal pieces in place. I still have the inner shape intact so the stencil is still quite usable.

Stencil before and after cleaning with rubbing alcohol
click on the links, then click again on the photos to zoom 
or the video thumbnail to play

Photo link: Before cleaning

Photo link: After Cleaning


Video to introduce the laser cutting process


Video: The stencil actually getting cut







Saturday, May 19, 2018

Aligning the Laser Beam


Monday, Thursday and a long day on Friday were devoted to aligning the beam on the 4 inch focal length laser on mirror #2 and #3. This is a time consuming and careful process that involves a number of minor, sometimes counteracting, adjustments working in tight spaces. In the end the beam was very well aligned and several lab mates were satisfied with the quality of their jobs after the alignment.

Here are the lessons learned:

1. Don't rely on the red beam.


To save time on frequently closing the side doors and lid for every laser test pulse, as well as being able to see the beam, I decided on Thursday to just try aligning the red beam. This proved to be frustrating as I was stuck with the beam slanting down and to the left. The beam cross section quality was also uneven and diffuse. After a phone call with a Boss technician he convinced me to abandon the idea of practicing/aligning on the red beam and just go back to pulsing the actual laser. Following this advice produced useful results on Friday (described below).

2. Big movements early and small adjustments late


The 3 directional adjustment knobs on the mirror mount are for up/down, left/right, and diagonal from upper left to lower right. There is no lower left to upper right knob. Once the burn spots become within about 1 diameter of each other, pare down the twist amount on the knobs, or else you run the risk of overcompensation, thus backtracking on progress.

3. Take an indirect route


For example, if you see that the downstream beam is high and right of the upstream beam, instead of using the diagonal knob, consider using the up/down and left/right to achieve the same effect. Or use all 3 knobs. The more knobs you use, the more likely you are to achieve a three dimensional adjustment that will get you to the target beam location.


4. More layers, less tape.


Convention calls for 2 layers of masking tape and frequent tape changes. More time efficient and more informative is to make a 3 layer tape and put more spots on it before a change out.


5. Clean before align


If you use a triple layer, this will also help minimize any char residue from the tape after pulsing that would require a re-cleaning of a mirror.


6. Protect the assets.


At the very start when you may have no idea what direction the beam is going. construct a protection board to block stray beams from hitting the microelectronics, wires, cables and the keypad control board components at the front right of the machine. This probably only needs to be in place for the first few pulses and can then can be removed once you are certain that pulses will land on the tape.


7. Side doors


Remember to close the side doors for safety before pulsing the beam, as the interlock is only on the main top lid.


8.  Loosen all the way

The set collars on the adjustment knobs should be loosened all the way back to the knob itself while making adjustments; the collar tends to creep forwards when messing with the knob. When you are aligned, remember to retighten the collar flush to the mount to secure the position. Use your other hand to hold steady and firm on the knob head while spinning the collar back to its lock down position.


Progress of alignment tests going from top to bottom



It is dark inside the nose cone





a useful head mounted flashlight




O-ring out of position and burnt through



Lens Cleaning

1. Throw them a curve

It is difficult to see from a side view which side of the lens is curved. Here is a trick to get it right. Position yourself directly under a long fluorescent light tube on the ceiling. If the reflection of the tube is thin and you can make out the details of the shape, that is the curved side. If the white reflection is broad and covering most of the lens, that is the flat side.

2. Especially for you
We now, under Taylor's guidance, are using a specially formulated lens cleaning liquid in a dispenser bottle that comes with it. Also, we are no longer using the one-time disposal Fluent brand wipes to clean lenses or mirrors, nor are we using any type of rubbing alcohol.

3. It's a drag

Do not swirl the lens tissue or cleaning wipes; this will only recirculate any particles on the lens surface. Drag in one direction instead, that'll remove particles and debris.

4. Blind it by the light

Wear a headband mounted flashlight to work on the nozzle when loosening or tightening the retaining ring. Otherwise it is hard to see inside the recessed column of the nozzle.

5. Mom says so: trim those nails
to avoid scratching mirrors and lens, even if you have gloves on!

6. A gentle push

The black O-ring between the retaining ring and lens easily moves out of position. Try to coax it, often multiple times, back into position while turning the retaining ring. Do this by taking a Fluent brand wipe, rolling one corner to make a thin cone shape, and use the tip of the cone to move the black O-ring around.

7. Spin the cone
This may better than turning the ring tool when loosening/tightening the retaining ring.

8. No Trespassing

Unless absolutely necessary, do not touch the Zoom ring right above the silver exterior spring. Moving this will cause auto-focus to be off.

9. No head banging

When spinning the nose cone back on the air flow tube, stay clear of the mount head attached to the gantry. That head is very sensitive to alignment to even the gentlest force/bang/knock.
 


Tuesday, May 8, 2018

New Version of RDWorks software


It is version v28. It basically is the same as v18 but they have added a few new import formats and some more submenu choices under Edit, Draw and Handle. I have been using it and it seems stable. THE PREVIOUS VERSION OF RDWORKS WILL BE REPLACED BY THE NEWLY INSTALLED V28.

Remember to go to Config -> File Para Setting and check both of the boxes in the DXF control area.

get it here

Flaking of etched glass

When I was doing a slow shallow etch of the waxwing bird on a cylindrical glass, I was having lots of flaking. I asked Boss Laser Tech Support what to do to improve the process and they recommended the following. 

"We have seen a lot of people have success by placing masking tape over the glass on the area that they are wanting to engrave over. This typically helps them a lot with the flaking on the glass. Also the air flow seems to be too high for that material it would probably be better to be around 20PSI.
Lastly, some lasers have a hard time firing at 14% power or below, I definitely recommend trying to up the power to at least 15 each and every job so we can ensure the laser is consistently firing for you."

I'm not sure I agree that this will help:

1. The masking tape will be hit many times in a small area and may cause lots of debris issues near the laser head.
2.We prefer pressures more like 60  psi for a reason, again, to get the debris out of there.
3. We have good experience with dependable firing at as low as 10%.

 I will consult with Seth to see if any of the suggestions from Boss Laser make sense.